Licensed professional engineers shall affix their seal and original signature or electronic seal and signature with the date on the final version of their engineering work before such work is released from their control. Engineering work transmitted in an electronic format that contains a computer generated seal shall be accompanied by the following text or similar wording: “The seal appearing on this document was authorized by Example: Leslie H. Doe, P. A license holder may use a computer-generated representation of his or her seal on electronically conveyed work, an electronic signature of the license holder and date. An electronic signature is a digital authentication process attached to or logically associated with an electronic document and shall carry the same weight, authority, and effects as an original signature. The electronic signature, which can be generated by using either public key infrastructure or signature dynamics technology, must be as follows:.
Cave paintings are a type of parietal art which category also includes petroglyphs , or engravings , found on the wall or ceilings of caves. The term usually implies prehistoric origin , but cave paintings can also be of recent production: In the Gabarnmung cave of northern Australia, the oldest paintings certainly predate 28, years ago, while the most recent ones were made less than a century ago. The oldest known cave paintings are more than 44, years old art of the Upper Paleolithic , found in both the Franco-Cantabrian region in western Europe, and in the caves in the district of Maros Sulawesi , Indonesia.
The oldest type of cave paintings are hand stencils and simple geometric shapes; the oldest undisputed examples of figurative cave paintings are somewhat younger, close to 35, years old.
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Dating questions challenge whether Neandertals drew Spanish cave art
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A researcher at the University of St Andrews, Scotland has uncovered the existence of a drawing dating from the 14th century, the oldest representation of Venice known to date. The drawing was discovered by expert Sandra Toffolo during her research for the publication of her book Describing the City, Describing the State. Representations of Venice and the Venetian Terraferma in the Renaissance , scheduled for During his pilgrimage, he crossed the City of the Doges, which he took care to describe in detail as well as visually render.
Dr Toffolo, a specialist in the history of Venice during the Renaissance, discovered the work in May at the Biblioteca Nazionale Centrale in Florence. Working for years on representations of Venice during the Renaissance, the specialist quickly realised, on seeing the work, that the representation of the city was prior to all those before known. This nevertheless excludes maps , the oldest of which illustrates the Serenissima and was produced by Fra Paolino, a Franciscan brother from Venice, around A series of small pinpricks found on the original illustration suggests that the original illustration had been copied for wider distribution.
This technique, formerly used in the reproduction of images, consisted in drilling a series of holes on the contours of the drawing and pouring a very fine powder, which, once passed through, transferred the features of the work to another support.
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Follow our live coverage for the latest news on the coronavirus pandemic. Historians have been left in awe after the discovery of a rare wallpaper and child’s drawing, hidden behind a cupboard in a Tasmanian property for more than years. The owners of Jordan House in the southern Tasmanian town of Broadmarsh recently discovered the section of rococo wallpaper and a drawing of a coastal town while renovating.
Mr Townsend estimated the wallpaper was installed soon after the building’s construction, meaning it would have been created in around Ben Geard, who owns the property, said he was “shocked” and “surprised” to uncover the wallpaper after removing the cupboards.
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Dating rock art can be problematic, especially for carvings. We do have indirect evidence to help us, however. Cup-and-ring carved rocks are sometimes found in prehistoric monuments with a known date, and this tells us that the carvings were created before or at the same time as the monuments. Researchers now believe that they were first created in the Neolithic period around years ago.
This is supported by the discovery of cupmarked rocks in Neolithic monuments, such as the long cairn at Dalladies in Aberdeenshire, dating to BC. Excavations of a rock art panel at Torbhlaren near Kilmartin, Argyll has also provided Neolithic dates from deposits on and around the rock surface, whilst in Northumberland, excavations of a carved rock at Hunterheugh revealed that an Early Bronze Age burial had been built over earlier, eroded motifs.
You can read more about this research on our Other Research page. Many questions remain, however. Was rock art made constantly throughout this period, or were there bursts of carving activity? Were carvings made at different times in different regions? Did certain types of motifs have long life-spans, whilst others were current only for a short time? Similarly, it is possible that some carved rocks were one-off creations, and others were repeatedly added to and modified.
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By Bruce Bower. October 28, at am. Ancient European cave paintings recently attributed to Neandertals have ignited an ongoing controversy over the actual age of those designs and, as a result, who made them. An international group of 44 researchers, led by archaeologist Randall White of New York University, concludes that the controversial age estimates, derived from uranium-thorium dating, must be independently confirmed by other dating techniques.
Those approaches include radiocarbon dating and thermoluminescence dating, which estimates the time since sediment was last exposed to sunlight. The team that dated the Spanish paintings, led by geochronologist Dirk Hoffmann of the Max Planck Institute for Evolutionary Anthropology in Leipzig, Germany, stands by its original analysis and will submit a response to the latest critique of its findings to the Journal of Human Evolution.
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The signature may be concealed behind the work, on the back of the canvas, or the back of the mounting for a photograph. For some conceptual work, a signature comes in the form of a certificate of authenticity. Think about what kind of signature is right for your work. If you are confused, consult a contemporary art curator, professor, or historian. Most professional artists do not sign the work on the front of the art, so that the signature does not distract from the content of the work.
Make and sign your art in the same medium except for prints and graphics, which are generally signed in pencil. For example, sign a watercolor in watercolor paint, an acrylic in acrylic medium, and an oil painting in oil paint.